موسیقی معنوی در شعر ناظم حکمت و احمد شاملو (زبان در شعر)

Abstract

In this article, the author has tried to investigate the musical impact of Nazem Hekmat’s poetry on Ahmad Shamloo’s poetry style. In his poets, Nazem Hekmat is in search of a cadence full of excitation that like a symphony seems to be generated from a set of musical instruments. Apart from music, sound is very conspicuous in his poems. In place of prosodic rhythms and syllables, the poet using sound similarities, repetitions and the words which phonetically are close to each other produces short, long and broken hemistiches. Ahmad Shamloo too, by his innovations further expands musical domain of the verse. He, unlike the classical poets who had no connection to Persian prose, disarrays the boundaries between verse and prose, while paying attention to the element of language and its roots. On this path, he utilizes a prosaic music which is closer to language’s natural music.